A visual identity for the second episode of the travelling OtherNetwork exhibition. This exhibition was an invitation from the Foundation for Contemporary Art-Ghana to NGO Nothing Gets Organised to exhibit in their space based in Accra.
- <view-source>
- *Duuu Radio
- 2 c00l 4 sch00l
- 2019
- 2020
- 2021
- 2022
- 2023
- 2024
- All in a row
- Ana María Gómez López
- Anastasia Kubrack
- Antoine Elsensohn
- Architecture
- Archive
- Archive Graflings
- Around the corner
- Art
- Assisted Lab
- Astro
- Atelier Luma
- Atelier Pierre Pierre
- Axel Pelletanche-Thévenard
- Beau Bertens
- Bomma
- Brunet Saunier & Associés
- Building Paris
- Bureau Antoine Roux
- BÉLArt
- Cadet Capela
- Call for lost entries
- Censored Magazine
- Centre Wallonie Bruxelles
- Coding
- Colin Keays
- Concorde architectes-urbanistes
- Conditions of a Necessity
- Contreforme
- Cookies
- DAE Code of Conduct
- DCA
- Dead Link
- Delay and Encounter and/or Other Proximate Unknowns
- Design
- Design
- Design Academy Eindhoven
- DNA
- Docker
- Dorothee Dähler
- Education
- ElaineAlain
- Eugène Architectes
- Exhibition Format Editor
- F451 Raffle
- Fanny Hamelin
- Fashion
- Festival Parallèle
- Fitzpatrick Gallery
- Florian Braakman
- Foundation for Contemporary Art Ghana
- Frederic Jaman
- Galerie RDV
- Geoffrey Oliaro
- Giacomo Nanni
- Giulia Bierens de Haan
- Graphisme en France
- Gräfling
- GS20
- Guillaume Sbalchiero
- Hannah Broucaret
- Houses of Tove Jansson
- Identity
- ifa – Institut für Auslandsbeziehungen
- If we’re happy in our dreams, does that count?
- Installation
- IRL
- Ivan Murit
- JEUDI.WANG
- Johanna and Friedrich Gräfling
- Keep it simple stupid
- Kirby
- Kunstverein Wiesen
- Laravel
- Learning from Las Vegas
- Le Générateur
- Le Labo Store
- Le Septantecinq
- Loan Bottex
- Low-(tech) and behold
- Loïc Altaber
- Léo Guibert
- Manon Bruet
- manual.vision
- Marie Rime
- Marietta Eugster Studio
- Miista
- Ndayé Kouagou
- Next.js
- Non-Extractive Architecture Directory
- Non-Extractive Architecture Exhibition
- Non-Extractive Architecture Index
- Normal Studio
- Object and Image
- Olivier Lebrun
- Olivier Talbot
- One-size-fits-all
- OtherNetwork
- Paged.js
- Parallel-Parallel
- Penser/Classer
- Performance Sources
- Photography
- PHP
- Pihla Hintikka
- Proof of Words
- Research
- Research
- République Studio
- Samuel Pin
- Sanity
- Sarah Vadé
- Screen Readings
- Shop
- Simon Bouvier
- Space Caviar
- Spassky Fischer
- Stripe
- Studio Joost Grootens
- Studio Remco van Bladel
- Studio Remco van Bladel
- The Art of Critique
- Theater
- The Community
- Théâtre de Gennevilliers
- Tool
- Uncover Archive
- Villa Arson
- Ward Goes
- Web-to-print
- Yeelena de Bels
- Yeliz Secerli
- Yie Kim
Print 00/06
A web-based software automating the editing and publishing of research conducted during the Non-Extractive Architecture residency program. Residents used the Exhibition Format Editor to develop their research and build a growing archive of references and case studies. See the tool in use here: Non-Extractive Architecture Exhibition
An experimental editorial approach for the twenty-eighth edition of the annual publication Graphisme en France, published by the CNAP. Each section of the book was formatted using a different editing tool or software to mirror the theme: graphic design, tools, and research.
An identity and concept for the 2020 Design Academy Graduation Show. The editorial approach operated as a system shaped by the projects themselves. Using text machine learning scripts, hypothetical news headlines were generated for the campaign, exhibition, and graduation catalog.
A visual identity for the first episode of the traveling OtherNetwork exhibition. OtherNetwork, initially an online-based project, launched its traveling exhibition with an invitation from the Institut für Auslandsbeziehungen to the Foundation for Contemporary Art-Ghana, hosted in their gallery in Stuttgart.
An exhibition for Non-Extractive Architecture designed as an “open-door design studio,” where the public could witness the research process from the residency program. The modular exhibition space allowed ongoing development and reorganixation of research. Using the Exhibition Format Editor, an A3 paper grid was gradually filled and printed on-site to cover the walls of Palazzo delle Zattere before and during the exhibition.