A series of mini-websites for artist Ana María Gómez López, using a low-tech, hand-coded approach based on a network of hyperlinks. The websites connect to the main repository and showcase her work practice.
- <view-source>
- *Duuu Radio
- 2 c00l 4 sch00l
- 2019
- 2020
- 2021
- 2022
- 2023
- 2024
- All in a row
- Ana María Gómez López
- Anastasia Kubrack
- Antoine Elsensohn
- Architecture
- Archive
- Archive Graflings
- Around the corner
- Art
- Assisted Lab
- Astro
- Atelier Luma
- Atelier Pierre Pierre
- Axel Pelletanche-Thévenard
- Beau Bertens
- Bomma
- Brunet Saunier & Associés
- Building Paris
- Bureau Antoine Roux
- BÉLArt
- Cadet Capela
- Call for lost entries
- Censored Magazine
- Centre Wallonie Bruxelles
- Coding
- Colin Keays
- Concorde architectes-urbanistes
- Conditions of a Necessity
- Contreforme
- Cookies
- DAE Code of Conduct
- DCA
- Dead Link
- Delay and Encounter and/or Other Proximate Unknowns
- Design
- Design
- Design Academy Eindhoven
- DNA
- Docker
- Dorothee Dähler
- Education
- ElaineAlain
- Eugène Architectes
- Exhibition Format Editor
- F451 Raffle
- Fanny Hamelin
- Fashion
- Festival Parallèle
- Fitzpatrick Gallery
- Florian Braakman
- Foundation for Contemporary Art Ghana
- Frederic Jaman
- Galerie RDV
- Geoffrey Oliaro
- Giacomo Nanni
- Giulia Bierens de Haan
- Graphisme en France
- Gräfling
- GS20
- Guillaume Sbalchiero
- Hannah Broucaret
- Houses of Tove Jansson
- Identity
- ifa – Institut für Auslandsbeziehungen
- If we’re happy in our dreams, does that count?
- Installation
- IRL
- Ivan Murit
- JEUDI.WANG
- Johanna and Friedrich Gräfling
- Keep it simple stupid
- Kirby
- Kunstverein Wiesen
- Laravel
- Learning from Las Vegas
- Le Générateur
- Le Labo Store
- Le Septantecinq
- Loan Bottex
- Low-(tech) and behold
- Loïc Altaber
- Léo Guibert
- Manon Bruet
- manual.vision
- Marie Rime
- Marietta Eugster Studio
- Miista
- Ndayé Kouagou
- Next.js
- Non-Extractive Architecture Directory
- Non-Extractive Architecture Exhibition
- Non-Extractive Architecture Index
- Normal Studio
- Object and Image
- Olivier Lebrun
- Olivier Talbot
- One-size-fits-all
- OtherNetwork
- Paged.js
- Parallel-Parallel
- Penser/Classer
- Performance Sources
- Photography
- PHP
- Pihla Hintikka
- Proof of Words
- Research
- Research
- République Studio
- Samuel Pin
- Sanity
- Sarah Vadé
- Screen Readings
- Shop
- Simon Bouvier
- Space Caviar
- Spassky Fischer
- Stripe
- Studio Joost Grootens
- Studio Remco van Bladel
- Studio Remco van Bladel
- The Art of Critique
- Theater
- The Community
- Théâtre de Gennevilliers
- Tool
- Uncover Archive
- Villa Arson
- Ward Goes
- Web-to-print
- Yeelena de Bels
- Yeliz Secerli
- Yie Kim
Low-(tech) and behold 00/07
Projects embracing a low-tech approach, reviving past and sometimes forgotten technologies in a sustainable and simple manner.
An environmentally friendly research platform for Atelier Luma, the design research program of LUMA Arles. The platform is engineered and designed to resonate with their bioregional and ecologically focused design practices.
A new e-shop for Censored, an independent feminist magazine. The website’s triptych structure presents different issues of the magazine over time and outlines the strength of their network.
An experimental editorial approach for the twenty-eighth edition of the annual publication Graphisme en France, published by the CNAP. Each section of the book was formatted using a different editing tool or software to mirror the theme: graphic design, tools, and research.
A long scroll feed showcasing images created by JEUDI.WANG, a studio dedicated to CGI creation in collaboration with architects, artists, and designers.
A mini-website serving as an index for the various iterations of the Non-Extractive Architecture project over the past years.
An exhibition for Non-Extractive Architecture designed as an “open-door design studio,” where the public could witness the research process from the residency program. The modular exhibition space allowed ongoing development and reorganixation of research. Using the Exhibition Format Editor, an A3 paper grid was gradually filled and printed on-site to cover the walls of Palazzo delle Zattere before and during the exhibition.